Êײ¥Ê±¼ä£º2025(¸Õ¹û)
¸üÐÂ״̬£ºÕýƬ
ÁìÏÎÖ÷ÑÝ£ºÄÚÏê
Ö´µ¼µ¼ÑÝ£ºÈøÃס¤°ÍÂå»ù
ÓïÑÔ¶Ô°×£º·¨Óï / ºÉÀ¼Óï
AG¾ÅÓλáÓ°ÊÓÓëÄú·ÖÏíÍøÓÑÉÏ´«µÄÕýƬӰϷÔÕæÖ®Ê÷ÔÚÏßԢĿ²¥·ÅµØµãºÍÔÕæÖ®Ê÷Ó°Ï·Ãâ·ÑÈ«¼¯ÍêÕû°æ¸ßÇ嵨µã£¬2025ÄêÉÏÓ³µÄ¼Í¼ƬÔÕæÖ®Ê÷ÕýƬ¾çÇé½²ÊöÁËLileko, the tree of authenticity, which has borne many names, observes the unfolding of human greed. This film-essay from the Democratic Republic of Congo is divided into three parts. Three voices, each in their own time, seem to share the narration, recoAG¾ÅÓλáÓ°ÊÓËùÓÐÊÓÆµºÍͼƬ¾ùÀ´×Ô»¥ÁªÍøÊÕ¼¯¶øÀ´£¬°æÈ¨¹éÔ´´ÕßËùÓУ¬±¾ÍøÕ¾Ö»ÌṩwebÒ³ÃæÐ§ÀÍ£¬²¢²»Ìṩ×ÊÔ´´æ´¢£¬Ò²²»¼ÓÈëÂ¼ÖÆ¡¢ÉÏ´«
Èô±¾Õ¾ÊÕ¼µÄ½ÚÄ¿ÎÞÒâÇÖ·¸Á˹ó˾°æÈ¨£¬ÇëÔÚÁôÑÔ´¦ÁôÑÔ £¨ÎÒÃÇ»áÔÚ3¸öÊÂÇéÈÕÄÚɾ³ýÇÖȨÄÚÈÝ£¬Ð»Ð»¡££©